George R.R. Martin
A Feast for Crows - Hardback - 753pgs.
A Dance with Dragons - Hardback - 1044pgs.
Tread at your own peril, spoilers ahead.
I always struggle to write reviews for Martin's books so instead of covering these independently as they were published, I will take Martin's intent to publish together as a sign that I should write as if they are one. This of course has its own challenges since the books together put us at 1,797 pages.
I had already read one through three when four dropped on 10.17.2005 and decided to go pick it up. At the time I had intended to read it but after hearing from Martin at a book signing event that Feast was only half of what he had intended to publish, I had to wait. At the time I didn’t know that I was going to have to wait five god damn years. I think as a reader, you have a right to be mad when a release cadence for a book in a series is five years. Who wouldn’t be mad, I was. Waiting for a Dance meant that I waited roughly nine years to read these two books. So at that point I just decided to read them all again. I have to say that I am glad I did. While I had remembered all of the major plot points from the first three books, I had thoroughly mixed up the contents of books two and three and the precedent in which they are delivered. For instance, I had convinced myself that Jon's ascension to Lord Commander of the Nights Watch actually happened in book two along with the infamous Red Wedding, while I had thought that the Battle of the Blackwater happened at the end of three. Re-reading these obviously shattered those misconceptions and reasserted the correct time line.
Book four wasn’t a disappointment for me at all and I thought a lot of the setup that took place in this book is actually an interesting addition to what people conceive to be the plot of the story. While the shenanigans with House Greyjoy may appear to be encumbering to the story I think they will add some really interesting flavor down the way and most definitely provide what I think will be some unexpected twists into this legend. I found Brienne to be a relief to a book that was otherwise shallow in it's locales and a bastion of an adventure in a series that offers grand epics with complicated inter-connected character depth. The adventure aspect is something that is generally the center plot point for every sort of fantasy except this, perhaps that is why this is such a success. Not to say that we haven't seen it as it seems that at least one character perspective per book is still undergoing some sort event that could be classified as an adventure. Unlike some readers, I felt that Dorne and the expansion provided in this book where important. Martin needed to expand on Dorne, so much talk about the perceived power of this kingdom meant that he couldn’t continue to keep it in the dark. I respect his decision to show it to us how he did even if it felt as if several plot perspectives could have been rolled into one. For instance, Ser Arys Oakheart did not need the two point of view chapters he was allotted and they could have been easily rolled into any other Dornish point of view character in Feast. I often wonder how much more interesting it would have been if those two simple chapters were from the point of view of the Darkstar, it surely would have helped advance the story and shed light on some things. I suppose. I think this is the resounding problem with Feast. Simply to many point of views are added that don't need to be there and while interesting and well written, they simply do not move the story forward at all.
This follows cadence into a Dance, but luckily he seems to have been able to shake it off within the first quarter of the book without eliminating every single person. It is hard with a Feast and a Dance when you do not have all of the characters that you are used to. I personally thought that a Dance possessed too much Tyrion, maybe I am bias against the little Imp but I felt a lot of Tyrion's eastward march was not needed in the level of depth provided. Furthermore the re-introduction of Morment leaves me reeling. Not that I hate Morment but his reintroduction seems ridiculous. Unless he kills Dany or sacrifices himself for something else, there really isn't any point as he proved through out the course of a Dance. Furthermore we see Stannis pitched in the snow, famished and dying with his host with convoluted hints that they may or may not have perished. The letter to Jon Snow from Ramsey certainly hints that everything is shored up but I wonder how much of Ramsey's letter is true/known fact and speculation. Jon's involvement in the affairs of the realm was justification enough for his stabbing. I am not going to sugar coat it. Nor do I feel sorry for him. With that said though, I don’t think he is dead. The general rule of thumb for me to accept the death of another character in this series is for it to be witnessed by another point of view character or talked about in subsequent chapters as known fact. After the aggregated 1,797 pages of these two books he quiet simply had to kick Jon, Dany, or Tyrion in this way. People were expecting a meaningful death in the course of these books, after all he did set that precedent with books one-through-three. The death of Quentin wouldn't do it, even if he did manage to set loose the dragons on Mareen. It had to be one of the big remaining three and Jon was the most likely in my opinion. Furthermore, I knew as soon as I saw the title that Dany was going to slap those legs around a dragon and fly, I don't think that was going to be a mystery to anyone. The problem of course is that that event should have been a pinnacle to some plot point that would allow the story to speed up and perhaps close loops but instead Martin opened more. I was hoping the flight would settle everything in Mereen and give her the flexibility to start looking back at Westeros. No dice. So no we are grid locked in the North and Grid locked in the East, with minor characters flittering around everywhere.
I don't mean to question the great I suppose but this series has to conclude sometime and simply killing characters does not provide an adequate resolution that readers will be happy with. As of now, in his future work "The Winds of Winter," I estimate that he will need to kill roughly 25% of the point of view characters and 25% of the non-point of view characters to wrap up the series in seven books. I did some thinking on this and he could be inundating us with new point of view characters because he plans on killing off a significant amount of characters in "The Winds of Winter" and he would need the new point of views he created in a Feast and a Dance to continue the story. It has been said that Martin knows, and has documented, the entirety of this epic. I believe that and I think as a dedicated reader to this series I don't have any other choice but to believe it. If not, we should be expecting a long disappointing road to the culmination of this series. Hopefully we wont have to wait another five years for "The Winds of Winter."


